The Gulf Coast Blog

Craft • Culture • News

Craft • Culture • News

Origin Story: Wood

Robert James Russell

When I was young, I carved my name into a two-pronged tree in our backyard that looked like a giant slingshot. It was my tree. I used to rest in its crook and look out over the lawn. I didn’t understand that, more than likely, trees can feel pain. That, in their own way, research has shown they have emotional responses to the world. I claimed it as my own to anyone who came over to play. Trees are plodding beings who grow over human generations. They stand tall while our families diminish. All the while, I’m sure of it, that tree moved and talked to me and had insight and felt pain. I just refused to learn its language, is all.


Origin Story: Purple

Robert James Russell

My first curiosity with the color purple was in church. The formidably wiry Lutheran pastor, Pastor O___, with his black bowlcut and his square jaw and set-upon shoulders, bemoaned John 19:5: “So Jesus came out, wearing the crown of thorns and the purple robe. Pilate said to them, ‘Behold the man!’”


"More than One Shadow": An Interview with Eduardo C. Corral

Justin Jannise

"I am pouring my language into new containers again and again, and I make sure each container has a different line length. As I pour my language into these new containers, I’m forcing myself to rethink the syntax and diction of each line."


BLM Resources & Links

The Editors

In response to anti-Black racist violence, help us support Black lives through literature and art, as well as efforts for justice in Houston, by donating to or supporting these organizations.


D.A. Powell on "The Mad Place" of Poetry

Justin Jannise

"You can use language and be absolutely true to what you’re saying, and at the same time people have an opportunity to misread it as something scintillating or shocking or surprising."


Engaging the Mystery: The Anagogic Poetry of Lucie Brock-Broido

Eric Farwell

Last March, Lucie Brock-Broido died at the age of 61. She left behind four collections, and the work within was characterized as “spooky,” “haunted,” or some version thereof when she was eulogized in every publication from The New York Times to The Paris…


Dora Malech makes her entrance into experimental poetry

Despy Boutris

To “stet” is the act of making a textual change and then changing it back and so on and so forth. In the spirit of “stetting,” Stet also acts as a means of reinventing language, just as Malech attempts to reinvent her own voice through this collection.


You Are Here: An Interview with Eduardo Portillo

Sheila Scoville

“When I built my first stretcher, it was like finding a big surprise. It let me reinforce what I had been doing with painting, which was playing around with points of tension, ideas about the canvas as a fabric, as something I could manipulate and explore different possibilities with, not just within the gallery but also with the rectangle. Painting didn’t have to be just rectangular—I really wanted to challenge that.”


Mass Culture and the American Poet: The Poem as Vaccination

Tony Hoagland

I once drove around southwest Arizona with a photographer named Pedro, from Mexico City. His specialty was making ethnographic forays into North America, and on this trip he was studying the culture of RVs—recreational vehicles—and their owners. In the…